A free event organized by the OCC Physicians,a service to the humanity, as a service to the Lord.
A live dance performance by the eminent odishi dancers Adruta Children's home
From the cosmic void of SHUNYA, creation started. Life came into existence through the PANCHABHUTA (5 elements) -- PRITHVI (earth), APA (water), AGNI(fire), VAYU(air) and AKASHA (space). But life comes to an end when the PANCHABUTA merge into the Absolute thus creating the ANANTA, the infinite cycle of creation and dissolution.
4:00 PM - 7:00 PM - Detailed Break up of Events Live Dance Performance by Artists from Adruta Children's Home, ANATA Dance Team and Artist from various dance schools in Hosuton: Anjali, Kalangana, Abhinay, Natya Upasana etc;
- Vakratunda - By Kalangan 6 mins
- Madhurastakam – By Madhulita 11 mins
- Kalyan Pallavi – By Kalangan 7 mins
- ADRUTA Introduction by Prof. Aditya K. Mohanty 4 mins
- Mangalacharan – By ADRUTA 17 mins
- Ahenila Saila (Abhinaya) – By ADRUTA 7 mins
- Dasavatara (Abhinaya) – By ADRUTA 15 mins
- Mallari (Bharatnatyam) – By Natya Upasana 7 mins
- Tillana – By Anjali School 10 mins
- Dasavataram ( Bharatnatyam) – Abhinaya School 14 mins
- Amar Grame Jaiore Bandhu – By ADRUTA 10 mins
- Rasakelire – By ADRUTA 05 mins
- Ananta (Odissi) – By ANANTA 40 mins
The Divine Procession of the Deities by Devotees to the Charriot, then Sweeping the Charriot with Golden Broom by the Chief Guest and then Pulling the Charriot.
Lord Jagannath, the supreme personality of Godhead, the Lord of the Universe is the symbol of universal love and brotherhood. Sri Jagannath, He, who makes the devotees fearless and who grants liberation, appears in the form of “Daru Brahma” (the Supreme Soul in a Sacred Log), along with His elder brother Balabhadra, sister Subhadra, and armament Sudarshan on the bejeweled platform of the 12th century AD Jagannath temple in Puri, Odisha, India.
In Sanskrit, ‘Ja’ represents Jagannath, ‘Ga’ represents Balabhadra, ‘Nna’ represents Subhadra, and ‘Tha’ represents Sudarshan. So Jagannatha or Jagannath means the union of the four deities in the form of Chaturdhha Murati or Four-Fold Form of the Lord. The images of Jagannath, the black color representing sunya or inscrutability, Subhadra, yellow representing the creative energy, Balabhadra, white representing love, peace, and enlightenment, and Sudarshan, red as blood representing life and vitality are the four races (e.g. Black, White, Yellow, and Red) of the world. This representation of the Lord is the unity in diversity.
Charming Features: His Heavenly Design Unlike the stone images of Hindu Gods, the unique and mysterious icons of Lord Jagannath, Balabhadra, Subhadra, and Sudarshan are carved from neem (margosa) wood. Based on the myths and legends, the idols of Jagannath, Balabhadra, and Subhadra are unfinished without any identifiable hands and legs. The deity of Jagannath is about 6 feet (1.83m) tall and black in color with over dimensional head. His enormous round eyes have three concentric circles- Red on the outer layer, white in the middle, and black in the center. The statue of Balabhadra is also approximately 6 feet tall with white color and almond shaped eyes. Both Jagannath and Balabhadra have stump like arms stretching forward at mouth level. Devi Subhadra’s idol is yellow in color and stands about 5 feet (1.52m) tall with oval shaped eyes and without hands and legs. Sudarshan, a cylindral projection of wood is approximately the same height as the two male deities.
Lord Jagannath, an abstract form of Sri Krishna and Vishnu, is eternal. History cannot establish His appearance. However, legend says, king Indradyumna installed the wooden form of Jagannath in Satya Yuga (Era of Truth). Interestingly, the most ancient reference to sacred log (Daru) is found in Rig Veda. Vedic commentator, Sayanacharya ascribed the Rig Vedic sukta to Jagannath in terms of Purusottama (The Perfect Being). Jagannath has been mentioned in Uttara Khanda of Balmiki Ramayana. In Mahabharata, Jagannath has been represented to have a seat in Sankha Khetra. In puranic literature, Vishnu Purana, Matsya Purana, Agni Purana, Padma Purana, Narada Purana, Brahma Purana, and Skanda Purana, mention of Sri Jagannath and Purusottama Khetra have been found. Above all, the Jagannath Astakam of Adi Shankaracharya (788 AD-820 AD) is the vital historical literary piece on Jagannath which provides information about the temple and appearance of the deity. In 810 AD, Shankaracharya visited shrines at Puri and established Govardhana Matha (monastery).
The origin of Lord Jagannath is believed to be tribal. The sabaras, the earliest tribals of Odisha who belonged to the proto-Australoid tribe, were tree worshipers and their rituals involved dancing and singing before the Kitung or Jaganata or God. The association of non-Brahmin priests, called Daitas, who are presumed to be of tribal origin with the worship of the deity, some scholars established that Jagannath was originally a tribal deity. According to Anncharlott Eschmann, the Nabakalebara ritual is a tribal custom. With passage of time the Aryan elements integrated in Jagannath culture as both tribal